Showing results for "steven rawle"
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Transnational Cinema
An Introduction
2018
EN
This core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing films about migrant, cross-cultural and cross-border experience, Steven Rawle demonstrates how film production has moved beyond clear national boundaries to become a product of border crossing finance and creative personnel. This comprehensive introduction brings together the key concepts and theories of transnational cinema, includin...
2015
EN
An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience's thoughts and feelings and guide their gaze around the screen.Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semio...
Partners in suspense
Critical essays on Bernard Herrmann and Alfred Hitchcock
2016
EN
Accessible
This volume of spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, providing new perspectives on their collaboration. Featuring chapters by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the collection examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom.Examining key works, including
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Film Music
A Very Short Introduction
- Series -
- Very Short Introductions
2010
EN
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After ...
2012
EN
Accessible
A Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from film and opera, to video games, pop music and theme parks, analysing the breadth, scope and creative possibilities within each.This new edition is supplemented by a new preface from the author, discussing both new adaptive forms/p...
The Sound of Pictures
Listening to the Movies, from Hitchcock to High Fidelity
2010
EN
The Sound of Pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Whether pop or classical, sweeping or sparse, music plays a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of nature, of cities and of voices.In The Sound of Pictures, Andrew Ford listens to the movies. He speaks to acclaimed directo...
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- Pocket Essential series
2001
EN
Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. Classical purists say it isn't "real" music, yet it regularly tops charts and plays to sell-out concert hall audiences. This book looks at such topics as who have been the most influential composers, which scores have best...
Literature into Film
Theory and Practical Approaches
2014
EN
For most people, film adaptation of literature can be summed up in one sentence: "The movie wasn't as good as the book." This volume undertakes to show the reader that not only is this evaluation not always true but sometimes it is intrinsically unfair. Movies based on literary works, while often billed as adaptations, are more correctly termed translations. A director and his actors translate the story from the written page into a visual presentation. Depending on the form of the original...
David Cronenberg
Author or Filmmaker?
2007
EN
For more than thirty years, David Cronenberg has made independent films such as Scanners and A History of Violence which aim to disturb, surprise, and challenge audiences. He has also repeatedly drawn on literary fiction for inspiration, adapting themes from authors like William Burroughs, J. G. Ballard, and Patrick McGrath for the big screen; David Cronenberg: Author or Filmmaker? is the first book to explore how underground and mainstream fiction have influence...
2011
EN
The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work.Contains thirty chapters by the leading Hitchcock scholarsCovers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last filmDetails the enduring legacy he left to filmmakers and audiences alike
Film
A Very Short Introduction
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- Very Short Introductions
2012
EN
Film is considered by some to be the most dominant art form of the twentieth century. It is many things, but it has become above all a means of telling stories through images and sounds. The stories are often offered to us as quite false, frankly and beautifully fantastic, and they are sometimes insistently said to be true. But they are stories in both cases, and there are very few films, even in avant-garde art, that don't imply or quietly slip into narrative. This story element is import...
Movies That Mattered
More Reviews from a Transformative Decade
2017
EN
This new collection of essays and reviews from "one of the most gifted film critics in America" offers rare insight into the cinema of the 1970s and 80s (Roger Ebert).Following the first collection of Dave Kehr's criticism, When Movies Mattered, this volume features fifty more reviews and essays drawn from the archives of both the Chicago Reader and Chicago magazine from 1974 to 1986. This collection offers in-depth analyses of films that ...











