The great nineteenth-century stage actor Edwin Booth began his long career in 1849 as a young teenager, following in his father's footsteps. This biography traces his life and career as a tragic actor, including his childhood; his early acting tours of California, Australia and Hawaii; his rise to fame as a touring star; his two marriages; his relationship with his brother John Wilkes Booth; his disastrous management of Booth's Theatre in New York City; and his death in 1891. The book incl...

Along with historical narrative, hear rare recordings of some of the most people in history, including Robert Browning, Kenneth Landfrey, Florence Nightingale, Sir Henry Morton Stanley, PT Barnum, Sir Arthur Sullivan, Edwin Booth, General Nelson Miles, William Jennings Bryan, and Garret A. Hobart. Recording obtained and published by Rick Sheridan.

A New York Times–bestselling author's "lively" account of a family of famous actors—who became notorious after the assassination of President Lincoln ( The New Yorker).Junius Booth and his sons, Edwin and John Wilkes, were nineteenth-century America's most famous theatrical family. Yet the Booth name is forever etched in the history books for one terrible reason: the assassination of President Abraham Lincoln by John Wilkes Booth at Ford's Theatre ...

Historian Nora Titone takes a fresh look at the strange and startling history of the Booth brothers, answering the question of why one became the nineteenth-century’s brightest, most beloved star, and the other became the most notorious assassin in American history.The sceneof John Wilkes Booth shooting Abraham Lincoln in Ford’s Theatre is among the most vivid and indelible images in American history. The literal story of what happened on April 14, 1865, is familia...

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society.In literature the ambition is much narrower. In order to be known, to be popular, you had to be published. And for that people had to know you existed and your ideas worth reading. Obviously for most of humanity’s time people couldn’t read and texts couldn’t be publishe...

Historical recordings of actors from the beginning of the recording era. CD 1: Historical Shakespeare performances by Ainley, John Barrymore, Bourchier, Casson, Forbes-Robertson, John Geilgud (1920s and 1940s). CD 2: A miscellany. Some startling historical performances in a wide range of works from Edith Evans, Charles Laughton, Noel Coward, Sarah Bernhardt, Fred Terry, Laurel and Hardy, Edwin Booth, Bransby Williams, Jean Cocteau, Feodor Chaliapin and others.