In November 1927, Kenneth Crosthwaite Murray (1902-1972) left his family home in West Sussex, England, to develop the art program in the British colony of Nigeria. As he traveled the country, Murray saw the cultural practices and craft production of Nigerian visual material under threat and decided to collect these pieces in order to preserve, understand, and, perhaps, console during a period of great change. Murray and a few of his colleagues, including Edward H. Duckworth, Bernard E.B. F...