Cultural Criminology and the Carnival of Crime attempts to make sense of the current increase in violence, cruelty, hate and humiliation, which has come to permeate daily life. The text argues that an overly organised economic world has provoked a widespread desire for extreme, oppositional forms of popular and personal pleasure. This desire has resulted in a cathartic 'second life' of illicit pleasures often deemed criminal by those in power. Amongst the exciting issues Mike Pres...

In this edited collection of narrative-based, critically situated essays, each contributor explores how class has affected his/her personal and academic lives. The collection is divided into three sections: i) narratives that critique the meritocracy; ii) narratives that trace the effects of middle class cultural capital on relatively new academics from the working class, and; iii) narratives that explore the effects of class on longtime academics from the working class. The effect of the ...

In a world in which media images of crime and deviance proliferate, where every facet of offending is reflected in a ‘vast hall of mirrors’, Framing Crime: Cultural Criminology and the Image makes sense of the increasingly blurred line between the real and the virtual.Images of crime and crime control have become almost as 'real' as crime and criminal justice itself. The meaning of both crime and crime control now resides, not solely in the essential – and essentially fals...

This book brings together cutting-edge research across the range of meanings of the term 'cultural'. A landmark text on the crime-culture nexus, its editors and authors include the leading exponents of cultural criminology on both sides of the Atlantic.