King Lear exists in two different texts: the Quarto (1608) and the Folio (1623). Because each supplies passages missing in the other, for over 200 years editors combined the two to form a single text, the basis for all modern productions. Then in the 1980s a group of influential scholars argued that the two texts represent different versions of King Lear, that Shakespeare revised his play in light of theatrical performance. The two-text theory has since hardened into orth...

A groundbreaking new account of the author of The Spanish Tragedy that establishes him as a major Elizabethan dramatistThomas Kyd (1558–1594) was a highly regarded dramatist and the author of The Spanish Tragedy, the first revenge tragedy and the most influential Elizabethan play. In this first full study of his life and works, Brian Vickers discusses Kyd’s accepted canon as well as three additional plays Vickers has newly identified as having bee...

The question of whether Paul teaches that Christ's righteousness is imputed to the believer has been debated for roughly four hundred years. Some of the questions that arise are: What is the connection between Adam and the rest of the human race? How did Christ fulfill the role of the second or new Adam? How can the "ungodly" stand before a righteous God?In Jesus' Blood and Righteousness, Brian Vickers investigates the key Pauline texts linked historically to the topic of ...

Returning to Shakespeare addresses two broad areas of Shakespeare criticism: the unity of form and meaning, and the history of the plays’ reception. Originally published in 1989, the collection represents the best of Brian Vickers’ work from the previous fifteen years, in a revised and expanded form.The first part of the book focuses on the connection between a work’s structural or formal properties and our experience of it. A new study of the Sonnets shows how pe...

King Lear exists in two different texts: the Quarto (1608) and the Folio (1623). Because each supplies passages missing in the other, for over 200 years editors combined the two to form a single text, the basis for all modern productions. Then in the 1980s a group of influential scholars argued that the two texts represent different versions of King Lear, that Shakespeare revised his play in light of theatrical performance. The two-text theory has since hardened into orth...

First published in 1968. This re-issues the revised edition of 1979.The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order.

Many factors contributed to the Protestant Reformation, but one of the most significant was the debate over the doctrine of justification by faith alone. In fact, Martin Luther argued that justification is the doctrine on which the church stands or falls. This comprehensive volume of 26 essays from a host of scholars explores the doctrine of justification from the lenses of history, the Bible, theology, and pastoral practice—revealing the enduring significance of this pillar of Protestant ...

"WHO DO YOU SAY THAT I AM?" -- MARK 8:29Jesus asked his disciples this question, and no question is more important. The Gospel of Mark answers by presenting Jesus as the king who suffered and gave his life for us and invited us to take up our cross and follow him.Mark: A 40-Day Bible Study is meditative, gospel-centered, practical, and prayerful. Over forty days, you will:· Read and reflect on Mark's Gospel.· Meditate on Jesus and th...

This volume documents the full tradition of criticism of The Merchant of Venice ranging from 1775 to 1939.The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays, though it poses many challenges due to what is seen as its inherent anti-Semitism. Before the 19th century critical reaction is relatively fragmentary, but between then and the late 20th century the critical tradition reveals the power of the play t...

This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers. The volume provides, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dial...

Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theater history to 1642. An internationally recognized board of scholars oversees the publication of MaRDiE. Readers who wish to deepen their understanding of early drama will find that the journal publishes wide-ranging discussions not only of plays and early performance history, but of topics pertaining to cultural history, as wel...

This new volume in the Shakespeare: The Critical Tradition increases our knowledge of how Twelfth Night was received and understood by critics, editors and general readers. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The volume features criticism from key literary figures such as Thomas De Quincey, Charles Knight, Mary Cowden C...