African Diasporic Cinema: Aesthetics of Reconstruction analyzes the aesthetic strategies adopted by contemporary African diasporic filmmakers to express the reconstruction of identity. Having left the continent, these filmmakers see Africa as a site of representation and cultural circulation. The diasporic experience displaces the center and forges new syncretic identities. Through migratory movement, people become foreigners, Others—and in this instance, black. The African diaspo...

Plasma Modeling: Methods and applications presents and discusses the different approaches that can be adopted for plasma modeling, giving details about theoretical and numerical methods. It describes kinetic models used in plasma investigations, develops the theory of fluid equations and hybrid models, and discusses applications and practical problems across a range of fields.This updated second edition contains over 200 pages of new material, including an extensive new pa...

El encuentro de Festivales Iberoamericanos de Artes Escénicas (EFíbero) nació como un proyecto especial en el seno del Programa Iberescena, único espacio de cooperación intergubernamental destinado al desarrollo del teatro, la danza y el circo en la región cultural iberoamericana. Desde su creación en 2006 este programa ha sido un espacio de enorme potencial para darle un impulso destacado al sector, como lo han sido también los organismos destinados al impulso específico de la actividad t...

Il titolo dell'opera, "Goulerne", implica un viatico romantico, simbolico ed evocativo: il nome di un vento che trasporti questi componimenti in fuga, verso altri territori, altre culture, lettori, autori. All'interno di "Goulerne" (è un vento forte di maestrale che soffia freddo e umido sulla Francia occidentale, in particolare in Touraine, di solito è presente in primavera e in autunno) si susseguono, in ordine alfabetico: Alessandro Bernardini con "Lo stupore dell'uomo solo"; Rita Meddi...