Both a monograph and a critical dialogue between academic Melissa Thackway, author of Africa Shoots Back, and the Cameroonian filmmaker Jean-Marie Teno, this collaborative work takes the reader on a journey through Teno's multifaceted on-going filmic reflection on Cameroon and the wider African continent, its socio-political systems, history, memory and cultures. Presenting and contextualizing Teno's cinema, it addresses the notion of political commitment in art and of cinema as a...

Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas.Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since t...

“A complete overhaul of the Western museum tradition”—Publishers Weekly“An impressive critique of the universal museum as complicit in the damages inflicted by colonial power”—Isaac Julien, artist and filmmaker“Should fascinate anyone interested in social justice, post-colonialism and the arts”—Euronews“Powerful and so relevant”—DiacritikThe Western museum is a bat...

The mainstream discourse surrounding gender equality is a repertoire of violence: harassment, rape, abuse, femicide. These words designate a cruel reality. But don't they also hide another reality: that of violence committed with the complicity of the State?In this book, Françoise Vergès denounces the carceral turn in the fight against sexism. By focusing on 'violent men', we fail to question the sources of their violence. For the author, there is no doubt as to the underlying caus...

'A robust, decolonial challenge to carceral feminism' - Angela Y. Davis***Winner of an English PEN Award 2022***The mainstream conversation surrounding gender equality is a repertoire of violence: harassment, rape, abuse, femicide. These words suggest a cruel reality. But they also hide another reality: that of gendered violence committed with the complicity of the State.In this book, Françoise Vergès denounces the carceral turn in the fight against sexism. By focus...

African Diasporic Cinema: Aesthetics of Reconstruction analyzes the aesthetic strategies adopted by contemporary African diasporic filmmakers to express the reconstruction of identity. Having left the continent, these filmmakers see Africa as a site of representation and cultural circulation. The diasporic experience displaces the center and forges new syncretic identities. Through migratory movement, people become foreigners, Others—and in this instance, black. The African diaspo...

"A complete overhaul of the Western museum tradition" —Publishers Weekly"An impressive critique of the universal museum as complicit in the damages inflicted by colonial power" —Isaac Julien, artist and filmmaker"Should fascinate anyone interested in social justice, post-colonialism and the arts" —Euronews"Powerful and so relevant" —DiacritikThe Western museum is a...

This book deals with the contemporary history of the imprisonment of Palestinians in Israeli prisons since 1967, and, since the 2000s, in Palestinian facilities. The prison experience is widely shared in the Occupied Palestinian Territories. It endurably marks personal and collective stories. Since the Occupation of the Palestinian Territories in 1967, mass incarceration has spun a prison web, a kind of suspended detention. Approximately, 40 percent of the male population has been...