Volume 34 of Theatre History Studies revisits the foundations of theatre, explores the boundaries and definitions of theatre, and illuminates how writing about the history of theatre is itself a form of historiography.The five essays are arranged chronologically, starting with Alan Sikes’s discussion of the Abydos Passion Play. Sikes challenges the long-held interpretation of that ritualized annual reenactment of the death, dismemberment, and return to life of Egyptian god...