Whether speaking of erotic love, domestic life, spiritual wilderness, or family entanglements, the poems of Auguries, the much-anticipated second collection from Yukon poet Clea Roberts, are saturated with their northern landscape. Roberts is well versed in the distances and dynamics between tedium and ecstasy, light and dark, isolation and solitude, freeze and thaw, flow and stillness. Her poems are spare and clean, each like a single larch in an immense white plain; their exactn...

With her remarkable debut collection, Yukon poet Clea Roberts proffers a perceptive & ecological reading of the Canadian North’s past & present. Roberts deftly draws out the moments that comprise a cycle of seasons, paying as much attention to the natural—the winter moon’s second-hand light that pools in the tracks of tree squirrels & loose threads of migrating birds—as she does to the manufactured—the peripheral percussion of J-brakes & half-melted ice lanterns. She also casts her gaze ba...

A composition of life inspired poems from many life experiences, this book captures the essential connection through words in which you, the reader, can relive or may relate to the emotions that everyone expresses. I truly hope you enjoy it and thank you for reading. Half the book has English poetry and the other half French poetry reflective of my upbringing as a French Canadian in Timmins, On.

The most famous use of the phrase sub divo appears in Horace’s ode on patriotism, in which the poet enjoins the young to embrace the military, to suffer poverty, and, in a life of service to the nation, be sub divo (under the sky”).In this collection of poems, however, Norm Sibum suggests that we are all of us sub divo, no matter who or what we are. Living under a sky from which there is no escape, with the conversion of value to parody almost complete,” our poets are as...

WINNER OF THE 75th GOVERNOR GENERAL'S LITERARY AWARD FOR POETRYWINNER OF THE 25th TRILLIUM BOOK PRIZEWINNER OF AN ALCUIN AWARD FOR DESIGNSHORTLISTED FOR THE GRIFFIN POETRY PRIZEThese are poems of critical thought that have been influenced by old fiddle tunes. These are essays that are not out to persuade so much as ruminate, invite, accrue.Hall is a surruralist (rural & surreal), and a terroir-ist (township-specific regionalist). He offers memories of, an...

Jaguar Rain is a rare text: at once a book of stand-alone poems and a work of scholarship, with textual notes and bibliography. Written in the voice of Margaret Mee (naturalist, explorer, and painter of flowers in the Amazon between 1956 and 1988), the poems are infused with wonder at a discovered new world of extraordinary richness, which is also an old world still governed by myth, and the ecological interdependence of everything: plant, animal, human, god; the living and the dead. Sourc...

A book of fifty lucid, urgent poems from internationally acclaimed, award-winning, bestselling author Margaret Atwood.In The Door, Margaret Atwood investigates the mysterious writing of poetry itself as well as the passage of time and our shared sense of mortality. The Door ranges in tone from lyric to ironic to meditative to prophetic, and touches on subjects both personal and political. Brave and compassionate, this collection of reflective poet...

Lake of Two Mountains, Arleen Paré's second poetry collection, is a portrait of a lake, of a relationship to a lake, of a network of relationships around a lake. It maps, probes and applauds the riparian region of central Canadian geography that lies between the Ottawa and the St. Lawrence Rivers. The poems portray this territory, its contested human presences and natural history: the 1990 Oka Crisis, Pleistocene shifts and dislocations, the feather-shaped Ile Cadieux, a Trappist monastery...

Jon Paul Fiorentino's new collection is a whip-smart poetic investigation of anxiety in all its many manifestations. Anxiety caused by geography, anxieties of influence and looming worries about loss inform the poems as they weave narrative threads that highlight both the treachery of language and its necessity in shaping human experience.The poems here build on Derrida's ideas about the psychological implications of memory and the archival impulse and on philosopher Charles Sander...

Heaven's Thieves is a collection engaged with the big questions -- What are bodies for? What does it mean to be alive? What is beauty and why does it have such power over us? What is the point of art? -- and the urgent ones -- how to live in a shattered ecology, what to do about grief, illness, betrayal. Sinclair turns her attention to these questions with fearless curiosity, economy, and an originality born of her willingness to pursue her own line of inquiry to its limit. These poems get...

The original Smart Aleck Chronicles was published to little, if any notice in 2007. As noted in the preface to that volume, it had neither plot or identifiable structure, its intended purpose being to present a series of entertainments on a wide range of ridiculous activities that constitute everyday life. Whether it was faithful to that lofty purpose remains a mystery, even to the author that made that bold declaration. Four years later, a second volume of the Smart Aleck Chronicles appea...

Don’t Let It End Like This Tell Them I Said Something — Paul Vermeersch’s fifth collection of poetry — is, as its title suggests, a lyrical meditation on written language and the end of civilization. It combines centos, glosas, erasures, text collage, and other forms to imagine a post-apocalyptic literature built, or rebuilt, from the rubble of the texts that came before.