Blinded by a grenade in Lebanon as a teenager, poet John Asfour came to Canada armed with James Joyce's words, "For the eyes, they bring us nothing. I have a hundred worlds to create and I am only losing one of them." Blindfold investigates the ways in which disability influences our lives and is magnified in our minds. In a series of thematically linked poems, Asfour draws the metaphor of the blindfold across the eyes of sighted citizens who are impaired by estrangement, emotiona...

Blinded by a grenade in Lebanon as a teenager, poet John Asfour came to Canada armed with James Joyce's words, "For the eyes, they bring us nothing. I have a hundred worlds to create and I am only losing one of them." Blindfold investigates the ways in which disability influences our lives and is magnified in our minds. In a series of thematically linked poems, Asfour draws the metaphor of the blindfold across the eyes of sighted citizens who are impaired by estrangement, emotiona...

A hockey saga, wrapping the game's story in the "intense, moody, contradictory" character of Terry Sawchuk, one of its greatest goalies. "Denied the leap and dash up the ice,what goalies know is side to side, an inwardness of monkand cell. They scrape. They sweep. Their eyes are elsewhereas they contemplate their narrow place. Like saints, they pray for nothing,which brings grace. Off-days, what they want is space. They sit apartin bars. They know the length of streets in twenty cities.But...

Michael Ondaatje’s selected poems, The Cinnamon Peeler, brings together poems written between 1963 and 1990, including work from his most recent collection, Secular Love. These poems bear witness to the extraordinary gifts that have won high praise for this truly original poet and novelist.

Blues singer, preacher, cultural critic, exile, Africadian, high modernist, spoken word artist, Canadian poet—these are but some of the voices of George Elliott Clarke. In a selection of Clarke’s best work from his early poetry to his most recent, Blues and Bliss: The Poetry of George Elliott Clarke offers readers an impressive cross-section of those voices. Jon Paul Fiorentino’s introduction focuses on this polyphony, his influences—Derek Walcott, Amiri Baraka, and the canon of l...

A 'sonnet' is a structure of poetry that originated in Italy. The term sonnet is actually derives from the Italian word sonetto, which means 'little song' or 'little sound'. A Sicilian poet named Giacomo da Lentini is endorsed by many as its inventor. Sonnets are commonly 14 lines long and carry a distinct model of rhymes that varies from one culture to another.While I have concocted many different forms of poetry over the last twenty plus years I've been writing, for some reason I...

IThese poems pause for the spectacle: cloning technologies, super-slo-mo photography, narcotic cab rides. Making fun of consciousness, they describe a system of tripwires, pitfalls and decoys that this notion of daily viewership entails. These poems are paeans to our facility for duplicity and self-deception, where the act of living becomes more and more like watching a ?lm in which we play no role.

In 1934, Gertrude Stein asked 'What is poetry and if you know what poetry is what is prose.' Throaty Wipes answers this question and many more! How does broadband work? Does 'chuffed' mean pleased or displeased? What if the generations of Adam had mothers? Through her signature fusion of formal innovation and lyricism, Holbrook delivers what we've been waiting for.'Here is language that has a joyous physicality, reminding usthat language and, therefore, poetry is first and...

Like the “page turned down to make another / page,” Dog Ear explores the marks we leave on a world whose social and political markers are constantly shifting. In his fourth book of poems—and most powerful work to date—Jim Johnstone establishes himself as an exquisite observer of decay, both physical and spiritual. This is a universe where man resembles “the final / generation of a species branching / towards an in-between.” Johnstone’s poetry blurs past and present, private and public in a...

Shortlisted for the 2002 Pat Lowther Award Foreign Homes, Joan Crate's second book of poems, explores domesticity and dislocation, where what was thought to be home becomes alien, and where the alien is, piece by piece, made into home -- often in such simple, physical acts as laying a table, or driving a highway, or reassembling a torn photograph. In Crate's careful hands, the knife that cuts the vegetables for dinner can transform the blade-edge of a distant war. Her migratory poems slip ...

In his 2015 Garnett Sedgewick lecture, award-winning poet and literary critic Stephen Burt discusses the relation of poetry to time, space and place. He examines the widespread and popular view of contemporary critics who claim that modern lyric poetry is supposed to have a speaking self who resides outside of space and time, and addresses readers who do not care who or where they are. In other words, place or the “there” of the poems is supposed to have no importance to the lyric voice. B...

Cutting Room both describes and pushes against the anxious hum of the technologically saturated present. Sarah Pinder's poems navigate domestic and 'natural' spaces as landscapes charged with possible violence and desire. Using hyper-focus and the long gaze, they draw the eye to the corners and seams of these spaces, slowing us down, shifting our focus to worn detail, asking us to seek pattern and possibility in a hyper-paced present tense. Theseare little ominous films, documenti...