Showing results for "ya chen chen"
Showing 1 - 3 of 3 Results
Adult content is visible.
Women and Gender in Contemporary Chinese Societies
Beyond Han Patriarchy
2013
EN
Recent attention to historical, geographic, and class differences in the studies of women and gender in China has expanded our understanding of the diversity and complexity of gendered China. Nevertheless, the ethnic dimension of this subject matter remains largely overlooked, particularly concerning women’s conditions and gender status. Consequently, the patriarchy and its oppression of women among the Han, the ethnic majority in China, are often inaccurately or erroneously associated wit...
(En)Gendering Taiwan
The Rise of Taiwanese Feminism
- Series -
- Social Sciences (R0)
2017
EN
This book highlights the diversity and richness of non-Mainland China and Taiwan-oriented gender issues from a unique Taiwanese perspective, in contrast to previous studies that have often placed Taiwanese gender issues under the huge umbrella of Mainland Chinese, Communist Chinese, or P.R.C. women’s and gender studies. In a follow-up dialogue to and with Liu’s, Karl’s, and Ko’s The Birth of Chinese Feminism, this book looks at the various metaphorical details of that “birth” and the diffe...
Women in Chinese Martial Arts Films of the New Millennium
Narrative Analyses and Gender Politics
2012
EN
Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, is an excavation of underexposed gender issues focusing mainly on contradictory and troubled feminism in the film narratives. In the cinematic world of martial arts films, one can easily find representations of women of Ancient China released from the constraints of patriarchal social order to revel in a dreamlike space of their own. They can develop themselves, protect themselves, and even defeat or con...
People who read this also enjoyed
2009
EN
It is now almost a cliché to claim that China and the Chinese people have changed. Yet inside the new clothing that is worn by the Chinese man today, Kam Louie contends, we still see much of the historical Chinese man. With contributions from a team of outstanding scholars, Changing Chinese Masculinities studies a range of Chinese men in diverse and, most importantly, Chinese contexts. It explores the fundamental meaning of manhood in the Chinese setting and the very notion of an indigenou...
The New Emperors
Power and the Princelings in China
2014
EN
China has become the powerhouse of the world economy and home to 1 in 5 of the world's population, yet we know almost nothing of the people who lead it. How does one become the leader of the world's newest superpower? And who holds the real power in the Chinese system? In The New Emperors, the noted China expert Kerry Brown journeys deep into the heart of the secretive Communist Party. China's system might have its roots in peasant rebellion but it is now firmly under the control of a powe...
Farewell My Concubine
A Queer Film Classic
- Series -
- Queer Film Classics
2010
EN
Helen Hok-Sze Leung: Helen Hok-Sze Leung is an Associate Professor in Gender, Sexuality & Women's Studies at Simon Fraser University in Burnaby, BC, Canada. She has published widely on queer cinema and is the author of Undercurrents: Queer Culture and Postcolonial Hong Kong (UBC Press, 2008).
- Book 9 -
- New Approaches to Asian History
2011
EN
Gender and sexuality have been neglected topics in the history of Chinese civilization, despite the fact that there is a massive amount of historical evidence on the subject. China's late imperial government was arguably more concerned about gender and sexuality among its subjects than any other pre-modern state. How did these and other late imperial legacies shape twentieth-century notions of gender and sexuality in modern China? Susan Mann answers this by focusing on state policy, ideas ...
The South Korean Film Renaissance
Local Hitmakers, Global Provocateurs
- Series -
- Wesleyan Film
2011
EN
For the past decade, the Korean film industry has enjoyed a renaissance. With innovative storytelling and visceral effects, Korean films not only have been commercially viable in the domestic and regional markets but also have appealed to cinephiles everywhere on the international festival circuit. This book provides both an industrial and an aesthetic account of how the Korean film industry managed to turn an economic crisis—triggered in part by globalizing processes in the world film ind...
From the Soil
The Foundations of Chinese Society
1992
EN
This classic text by Fei Xiaotong, China's finest social scientist, was first published in 1947 and is Fei's chief theoretical statement about the distinctive characteristics of Chinese society. Written in Chinese from a Chinese point of view for a Chinese audience, From the Soil describes the contrasting organizational principles of Chinese and Western societies, thereby conveying the essential features of both. Fei shows how these unique features reflect and are reflected in the...
2009
EN
Ashes of Time, by the internationally acclaimed director Wong Kar-wai, has been considered to be one of the most complex and self-reflexive of Hong Kong films. Loosely based on the stories by renowned martial arts novelist Jin Yong, Wong Kar-wai has created a very different kind of martial arts film, which invites close and sustained study.This book presents the nature and significance of Ashes of Time, and the reasons for its being regarded as a landmark in Hong Kong cinema. Placing the f...
Tongzhi
Politics of Same-Sex Eroticism in Chinese Societies
2013
EN
Accessible
Tongzhi: Politics of Same-Sex Eroticism in Chinese Societies examines Chinese societies where the family-kinship system, rather than sexuality, is taken as the basis of an individual's identity. With Tongzhi, you will come to understand the variations of same-sex erotica in different Chinese societies. Examining past and present treatment of the subject, including instances of discrimination against homosexuals, Tongzhi explores same-sex eroticism in China, Hong Kong, and Taiwan, and expla...
The Urban Generation
Chinese Cinema and Society at the Turn of the Twenty-First Century
2007
EN
Since the early 1990s, while mainland China’s state-owned movie studios have struggled with financial and ideological constraints, an exciting alternative cinema has developed. Dubbed the “Urban Generation,” this new cinema is driven by young filmmakers who emerged in the shadow of the events at Tiananmen Square in 1989. What unites diverse directors under the “Urban Generation” rubric is their creative engagement with the wrenching economic and social transformations underway in China. Ur...











