This book consists of fifty case studies and offers an innovative approach to the study of Medieval Islamic history, concentrating on the analysis of physical objects from the seventh to the eighteenth centuries and across most of the regions that make up the pre-Modern Islamic world.These include a wide range of objects from portable items like coins, vessels and books to major constructions, including mosques, tombs, castles, dams, and canal systems. The central argument is that ...

Providing an introduction to the artistic and architectural traditions of the Islamic world, A Story of Islamic Art explores fifty case studies, taken from different regions of the Islamic world and from the seventh to the twenty-first centuries.The novel aspect of these case studies is that they are presented as fictional narratives, allowing the reader to imagine art and architecture, either in their original cultural settings or at some later point in their histories. T...

The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content.Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in...

This volume is an inter-disciplinary endeavour which brings together recent research on aspects of urban life and structure by architectural and textual historians and archaeologists, engendering exciting new perspectives on urban life in the pre-modern Islamic world. Its objective is to move beyond the long-standing debate on whether an ‘Islamic city’ existed in the pre-modern era and focus instead upon the ways in which religion may (or may not) have influenced the physical structure of ...

The Islamic world has a rich artistic tradition, with particular strengths in calligraphy, illuminated manuscripts, architecture, and the decorative arts. This reference traces the development of Islamic art and architecture from the Umayyad dynasty to the present day. Readers will learn about the art of the Fatimids, Seljuqs, Mamluks, Mongols, Ottomans, Safavids, Mughals, and more. Eye-catching photos of gorgeous mosques, delicate manuscript paintings, and colorful ceramics give readers g...

Western admirers have long seen the Islamic garden as an earthly reflection of the paradise said to await the faithful. However, such simplification, Ruggles contends, denies the sophistication and diversity of the art form. Islamic Gardens and Landscapes immerses the reader in the world of the architects of the great gardens of the Islamic world, from medieval Morocco to contemporary India.Just as Islamic culture is historically dense, sophisticated, and complex, so too i...

Hassan Fathy, the Egyptian architect known for his recognition of the potential of vernacular forms as a vital force in contemporary architectural design, sought to integrate the traditions of Islamic art with his modern visions for living. Guided by Fathy's principles, Ahmad Hamid, an architect who collaborated with Hassan Fathy in the Institute for Appropriate Technology, identifies questions about the nature of Islamic art and its building culture, as well as the origins of modern archi...

Ibn Battutah set out in 1325 from his native Tangier on the pilgrimage to Mecca. By the time he returned twenty-nine years later, he had visited most of the known world, travelling three times the distance Marco Polo covered. Spiritual backpacker, social climber, temporary hermit and failed ambassador, he braved brigands, blisters and his own prejudices. The outcome was a monumental travel classic.Captivated by this indefatigable man, award-winning travel writer Tim Mackintosh-Smit...