William Logan has been called "the most hated man in American poetry" and the most dangerous poetry critic since Randall Jarrell. Desperate Measures continues the critical fevers of Reputations of the Tongue (UPF, 1999), a finalist for the National Book Critics Circle award in criticism. Beginning with an exploration of some of Robert Frost's least-known poems, these essays consider Ezra Pound's letters, T. S. Eliot's metaphysical lectures, the lightness of Elizabeth Bish...

New work from a poet who "seems to be getting stronger with each collection" (David Yezzi, The New Criterion)William Logan is widely admired as one of our foremost masters of free verse as well as formal poetry; his classical verve conjures up the past within the present and the foreshadowings of the present within the past. In their sculptural turns, their pleasure in the glimmerings of the sublime while rummaging around in the particular, the poems in

In Broken Ground, William Logan explores the works of canonical and contemporary poets, rediscovering the lushness of imagination and depth of feeling that distinguish poetry as a literary art. The book includes long essays on Emily Dickinson’s envelopes, Ezra Pound’s wrestling with Chinese, Robert Frost’s letters, Philip Larkin’s train station, and Mrs. Custer’s volume of Tennyson, each teasing out the depths beneath the surface of the page.Broken Ground also pre...

In Broken Ground, William Logan explores the works of canonical and contemporary poets, rediscovering the lushness of imagination and depth of feeling that distinguish poetry as a literary art. The book includes long essays on Emily Dickinson’s envelopes, Ezra Pound’s wrestling with Chinese, Robert Frost’s letters, Philip Larkin’s train station, and Mrs. Custer’s volume of Tennyson, each teasing out the depths beneath the surface of the page.Broken Ground also pre...

William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review....

In Dickinson’s Nerves, Frost’s Woods, William Logan, the noted and often controversial critic of contemporary poetry, returns to some of the greatest poems in English literature. He reveals what we may not have seen before and what his critical eye can do with what he loves. In essays that pair different poems—“Ozymandias,” “On First Looking Into Chapman’s Homer,” “In a Station of the Metro,” “The Red Wheelbarrow,” “After great pain, a formal feeling comes,” and “Stopping by Woods...

In Dickinson’s Nerves, Frost’s Woods, William Logan, the noted and often controversial critic of contemporary poetry, returns to some of the greatest poems in English literature. He reveals what we may not have seen before and what his critical eye can do with what he loves. In essays that pair different poems—“Ozymandias,” “On First Looking Into Chapman’s Homer,” “In a Station of the Metro,” “The Red Wheelbarrow,” “After great pain, a formal feeling comes,” and “Stopping by Woods...

The most notorious poet-critic of his generation, William Logan has defined our view of poets good and bad, interesting and banal, for more than three decades. Featured in the New York Times Book Review, the Times Literary Supplement, and the New Criterion, among other journals, Logan's eloquent, passionate prose never fails to provoke readers and poets, reminding us of the value and vitality of the critic's savage art.Like The Undiscovered Country: P...

William Logan has been called both the "preeminent poet-critic of his generation" and the "most hated man in American poetry." For more than a quarter century, in the keen-witted and bare-knuckled reviews that have graced the New York Times Book Review, the Times Literary Supplement (London), and other journals, William Logan has delivered razor-sharp assessments of poets present and past. Logan, whom James Wolcott of Vanity Fair has praised as being "the best po...

Fantastic Universe' started publishing in 1953 and continued until March 1960. It was one of the better magazines to launch during the boom in science fiction magazine publishing. It published many important stories' by some of the field's best known writers. This is our second Fantastic Universe Super Pack. Collected in this oversized edition are more than 100,000 words of science fiction and fantasy. Escape back to the golden age of science fiction! 'Arm of the Law' by Harry Harrison 'Po...

The Winter 2015-16 issue of Ploughshares. Ploughshares is an award-winning journal of new writing. Two out of each year's three issues are guest-edited by prominent writers who explore different personal visions, aesthetics, and literary circles, with the Winter issue staff-edited.The stories, poems, and essays that comprise this staff-edited issue of Ploughshares are diverse and timely. Visit a South African laundromat in Laurie Baker’s short story, Here I Am, Laughing with Boers;...

Providing insights into this neglected Southeast Asian city, this interesting book interprets Vientiane’s landscape - physical as well as imagined - as a reflection of key aspects of Lao geo-political history, the nature of Lao urbanism, and its critical relation to constructions of Lao identity in the contemporary period. It is argued that the patterns of change seen through Vientiane’s past embody the key political and economic processes and transformations impacting on the people of Lao...