Eight incisive dramas by the internationally-renowned playwright - plus bonus interviewWriter and director David Hare is one of England's leading political dramatists, celebrated for his many award-winning plays analysing the morality of contemporary Britain. This collection comprises some of his most acclaimed pieces, as well as a fascinating radio interview with Hare himself.It opens with his two acknowledged masterpieces: Plenty...

Schnitzler described Reigen, his loose series of sexual sketches, as 'completely unprintable'. The company that first presented them was prosecuted for obscenity in 1921. It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has re-set these circular scenes of love and betrayal in the present day. Using as much imaginative freedom in his turn as Ophuls did fifty years ago, and with just two a...

Four clergymen seek to make sense of their mission while being torn in all directions by the Church of England. After a critically lauded debut in 1990 at London’s National Theatre, Racing Demon went on to earn universal acclaim. More than 20 years later, David Hare’s bold and moving revelations on gay ordination and the doctrine of the priesthood ring more resoundingly than ever.An L.A. Theatre Works full-cast recording, starring Jared Harris, Lesley Nichol, Rosie Fellner, Paul Fo...

This second volume of plays by David Hare contains work from the 1970s and 1980s which confirmed him as one of the major contemporary playwrights in the English language. It includes Fanshen, his remarkable 1975 play which focused on the Chinese Revolution with Brechtian subtlety, his screenplay for Saigon: Year of the Cat, The Secret Rapture, his biting portrait of a family in crisis, and the plays A Map of the World and The Bay at Nice. The collection ...

Stuff happens... And it's untidy, and freedom's untidy, and free people are free to make mistakes and commit crimes and do bad things.'The famous response of Donald Rumsfeld, American Secretary of Defense, to the looting of Baghdad, at a press conference on 11 April 2003, provides the title for a new play, specially written for the Olivier Theatre, about the extraordinary process leading up to the invasion of Iraq.How does the world settle its differences, now ther...

This first volume of David Hare's plays contains his work from the 1970s, including his landmark play of that decade, Plenty, charting the development of 'one of the great post-war British playwrights' ( Independent on Sunday).The volume also includes the plays Slag, Teeth 'n' Smiles, Knuckle and Licking Hitler, and is introduced by the author.

This is a new collection of some of David Hare's finest work, including Skylight (Winner of the Laurence Olivier Award for Best New Play, 1996), Amy's View, The Judas Kiss and My Zinc Bed.

Covid-19 seems to be a sort of dirty bomb, thrown into the body to cause havoc.On the same day that the UK government finally made the first of two decisive interventions that led to a conspicuously late lockdown, David Hare contracted Covid-19. Nobody seemed to know much about it then, and many doctors are not altogether sure they know much more today. Suffering a pageant of apparently random symptoms, Hare recalls the delirium of his illness, which mixed with fear, dream...

From his early days as a playwright, David Hare has moved deliberately between stage, film and television, over the years building up a repertoire of work, most of which seeks to capture the changing feelings of contemporary life. Now, for the first time, some of Hare's best, and most characteristic, screenplays are collected together in a single volume, confirming his status as one of Britain's most passionate and versatile writers of fiction.This volume also contains an illuminat...

Nothing is more important to a modern political party than fund-raising. But the values of the donors can't always coincide with the professed beliefs of the party. And family scandal within the cabinet has the potential to throw both the money-raisers and the money-spenders into chaos.This richly imagined ensemble play about British public life looks at the way business, media and politics are now intertwined to nobody's advantage, as, in an unforgiving world, one character after ...

'My whole life, it's been assumed, Western civilisation is an old bitch gone in the teeth. And so people say, go to Israel. Because in Israel at least people are fighting. In Israel, they're fighting for something they believe in.' Via DolorosaIn 1997, after many invitations, the 50-year-old British playwright resolved finally to visit the 50-year-old State of Israel. The resulting play, written to be performed by the author himself, offers a meditation on an extraordinary...

People arguing, that isn't theatre. People making points. And what's more, you and I don't belong in drawing rooms. Drawing rooms can't contain us. We need courts and palaces and cathedrals. There's scale for us there. We can move our elbows. Little rooms give us no space.Henry Irving believes that theatre is the only thing that matters. Ellen Terry believes it's more important to be a decent human being. Ellen's daughter Edith Craig believes theatre can change society, bu...