The Apostle Paul's vision of eternity is centered on the inheritance theme. Although Paul rarely unpacks this concept, he employs the inheritance in a manner that encompasses the hope of a renewed cosmos promised to Abraham and his descendants. Thus, the apostle does not redefine a theme grounded in the Old Testament and Second Temple literature--as if it now referred to heaven or some other spiritualized existence. He expects what every pious Jew expected--the tangible fulfillment of the ...

The question of whether Paul teaches that Christ's righteousness is imputed to the believer has been debated for roughly four hundred years. Some of the questions that arise are: What is the connection between Adam and the rest of the human race? How did Christ fulfill the role of the second or new Adam? How can the "ungodly" stand before a righteous God?In Jesus' Blood and Righteousness, Brian Vickers investigates the key Pauline texts linked historically to the topic of ...

King Lear exists in two different texts: the Quarto (1608) and the Folio (1623). Because each supplies passages missing in the other, for over 200 years editors combined the two to form a single text, the basis for all modern productions. Then in the 1980s a group of influential scholars argued that the two texts represent different versions of King Lear, that Shakespeare revised his play in light of theatrical performance. The two-text theory has since hardened into orth...

This volume documents the full tradition of criticism of The Merchant of Venice ranging from 1775 to 1939.The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays, though it poses many challenges due to what is seen as its inherent anti-Semitism. Before the 19th century critical reaction is relatively fragmentary, but between then and the late 20th century the critical tradition reveals the power of the play t...

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little ...

A groundbreaking new account of the author of The Spanish Tragedy that establishes him as a major Elizabethan dramatistThomas Kyd (1558–1594) was a highly regarded dramatist and the author of The Spanish Tragedy, the first revenge tragedy and the most influential Elizabethan play. In this first full study of his life and works, Brian Vickers discusses Kyd’s accepted canon as well as three additional plays Vickers has newly identified as having bee...

This new volume in the Shakespeare: The Critical Tradition increases our knowledge of how Twelfth Night was received and understood by critics, editors and general readers. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The volume features criticism from key literary figures such as Thomas De Quincey, Charles Knight, Mary Cowden C...

"I cannot think of a greater gift to the church than a biblically rooted devotional series that spans the entire New Testament." --R. Albert Mohler, President, The Southern Baptist Theological Seminary"Who do you say that I am?" --Mark 8:29Jesus asked his disciples this question at the midpoint of Mark's Gospel--and no question is more important. The Gospel of Mark answers it by presenting Jesus as the king who suffered and gave hi...

Medieval and Renaissance Drama in England is an annual volume committed to the publication of essays and reviews related to English drama and theater history to 1642. An internationally recognized board of scholars oversees the publication of MaRDiE. Readers who wish to deepen their understanding of early drama will find that the journal publishes wide-ranging discussions not only of plays and early performance history, but of topics pertaining to cultural history, as wel...

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little ...

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little ...

Volume IV of the Collected Works of John Ford is the first of two volumes in the series to contain his sole-authored plays. It contains three of his most celebrated plays: 'Tis Pity She's a Whore (1622), The Lovers' Melancholy (1628), and The Broken Heart (1629), as well as the less well-known The Queen (1629). The volume opens with a general introduction to Ford's work as a sole author by Sir Brian Vickers and each play is given a detailed intr...