Showing results for "daniel schwartz"

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Daniel I. Schwartz

Searching for happiness in our modern world of stress and struggle is common; finding it is more unusual. This guide explores and explains how to find joy through a time-honored, creative—and surprisingly practical—approach based on Kabbalah and the teachings of Jewish mystics.The very core of the Jewish mystical tradition is centered on the belief that if our focus is spiritual, then true appreciation of our lives, and true joy, are possible. Step by step, Finding Joy des...

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Nicolette Pierce

Narrated by

Digital Voice Nichalia Schwartz E, Digital Voice Daniel E, Digital Voice Jack E, Digital Voice Theodore E, Digital Voice Pilar E

Audiobook 5 -

Nadia Wolf

This audiobook is narrated by a digital voice.Greyson Miller has been through the emotional ringer and needs a change. So, he quits his exorbitantly high-paying CEO position to turn his mansion into a bed and breakfast and transform the yard into a paradise. Never wanting to sit at a desk again, Greyson recruits a manager to oversee the bed and breakfast.Jenna Newman needs to prove herself to a man she only knows by his reputation alone. However, when she arrives, she doesn...

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Daniel L. Schwartz, Jessica M. Tsang, Kristen P. Blair

Selected as one of NPR's Best Books of 2016, this book offers superior learning tools for teachers and students, from A to Z.An explosive growth in research on how people learn has revealed many ways to improve teaching and catalyze learning at all ages. The purpose of this book is to present this new science of learning so that educators can creatively translate the science into exceptional practice. The book is highly appropriate for the preparation and professio...

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Josh Malerman, John FD Taff, J. Daniel Stone, Erik T. Johnson, Joe Schwartz, Grey Matter Press

From New York Times bestselling author Josh Malerman, the newly minted master of modern horror, and Bram Stoker Award-nominated John F.D. Taff, the "King of Pain;" to the mind-bending surrealism of Erik T. Johnson; the darkly poetic prose of J. Daniel Stone and the transgressive mania of Joe Schwartz, I Can Taste the Blood offers up five horror novellas from five unique authors whose work consistently expands the boundaries of conventional fiction.I Can Taste ...

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Daniel Schwartz

Cinema scholars categorize city symphony films of the 1920s and early 1930s as a subgenre of the silent film. Defined in visual terms, the city symphony organizes the visible elements of urban experience according to musical principles such as rhythm and counterpoint.In City Symphonies Daniel Schwartz explores the unheard sonic dimensions of these ostensibly silent films. The book turns its ear to the city symphony as an audible phenomenon, one that encompasses a multitude...

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Daniel Schwartz

The Late Scholastics, writing in Europe in the Baroque and Early Modern periods, discussed a wide variety of moral questions relating to political life in times of both peace and war. Is it ever permissible to bribe voters? Can tax evasion be morally justified? What are the moral duties of artists? Is it acceptable to fight in a war one believes to be unjust? May we surrender innocents to the enemy if it is necessary to save the state? These questions are no less relevant for philosophers ...

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Daniel Schwartz

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Oxford Philosophical Monographs

Daniel Schwartz examines the views on friendship of the great medieval philosopher Thomas Aquinas. For Aquinas friendship is the ideal type of relationship that rational beings should cultivate. Schwartz argues that Aquinas fundamentally revises some of the main features of Aristotle's paradigmatic account of friendship so as to accommodate the case of friendship between radically unequal beings: man and God. As a result, Aquinas presents a broader view of friendship than Aristotle's, allo...

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Nevena V. Radonjić, Jeffrey S. MacDaniels, Thomas L. Schwartz

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Clinical Topics in Psychology and Psychiatry

Practical Psychopharmacology, 2nd ed, takes the novel approach of writing at three different levels—beginning, intermediate, and advanced—to give the practicing psychopharmacologist a tailored experience.Each chapter focuses on a specific DSM-5TR disorder and outlines abbreviated treatment guidelines to help the reader understand where their knowledge base and clinical practice currently reside. At the first level, the book teaches novice prescribers practical diagnostic s...

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Daniel B. Schwartz

Pioneering biblical critic, theorist of democracy, and legendary conflater of God and nature, Jewish philosopher Baruch Spinoza (1632-1677) was excommunicated by the Sephardic Jews of Amsterdam in 1656 for his "horrible heresies" and "monstrous deeds." Yet, over the past three centuries, Spinoza's rupture with traditional Jewish beliefs and practices has elevated him to a prominent place in genealogies of Jewish modernity. The First Modern Jew provides a riveting look at how Spino...

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Daniel R. Schwartz

In writing in English about the classical era, is it more appropriate to refer to “Jews” or to “Judeans”? What difference does it make? Today, many scholars consider “Judeans” the more authentic term, and “Jews” and “Judaism” merely anachronisms.In Judeans and Jews, Daniel R. Schwartz argues that we need both terms in order to reflect the dichotomy between the tendencies of those, whether in Judea or in the Disapora, whose identity was based on the state and the land (Jude...

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Daniel B. Schwartz

Just as European Jews were being emancipated and ghettos in their original form—compulsory, enclosed spaces designed to segregate—were being dismantled, use of the word ghetto surged in Europe and spread around the globe. Tracing the curious path of this loaded word from its first use in sixteenth-century Venice to the present turns out to be more than an adventure in linguistics.Few words are as ideologically charged as ghetto. Its early uses cen...

New Directions in Print Culture Studiesfeatures new methods and approaches to cultural and literary history that draw on periodicals, print culture, and material culture, thus revising and rewriting what we think we know about the aesthetic, cultural, and social history of transnational America.The unifying questions posed and answered in this book are methodological: How can we make material, archival objects meaningful? How can we engage and contest dominant conceptions ...