Basic semiotic theories are taught in most art schools as part of a contextual studies program, but many students find it difficult to understand how these ideas might impact on their own practice. Visible Signs tackles this problem by introducing key theories and concepts, such as signs and signifiers, and language and speech, within the framework of visual communication.Each chapter provides an overview of a particular facet of semiotic theory, with inspiring examples fr...

Growing up on the Navajo Indian Reservation, David Crow and his siblings idolized their dad. Tall, strong, smart, and brave, the self-taught Cherokee regaled his family with stories of his World War II feats. But as time passed, David discovered the other side of Thurston Crow, the ex-con with his own code of ethics that justified cruelty, violence, lies—even murder.A shrewd con artist with a genius IQ, Thurston intimidated David with beatings to coerce him into doing his criminal ...

Human rights organizations have grown exponentially across the globe, particularly in the global South, and the term human rights is now common parlance among politicians and civil society activists. While debates about human rights are waged in elite circles, what do publics in the global South think about human rights ideas and the organizations that promote them? Drawing on large-scale public opinion surveys and interviews with human rights practitioners in India, Mexico, Morocco, and N...

Brilliant illustrated guide to the best-known and most controversial continental philosopher of the latter 20th century. Jacques Derrida is the most famous philosopher of the late 20th century. Yet Derrida has undermined the rules of philosophy, rejected its methods, broken its procedures and contaminated it with literary styles of writing. Derrida's philosophy is a puzzling array of oblique, deviant and yet rigorous tactics for destabilizing texts, meanings and identities. 'Deconstruction...

Justice Koolhaas's Essays on Modern Art are reproduced alongside at least one of each artist's works that she owned. Unusually, these works were discards; even more unusually, she obtained them on condition that each artist signed a statement disowning them as artworks.Her theory work, a refusenikism written in deliberate opacity, is inspired by her collection of art refuse.Twombly is explored through Walter Benjamin, Deleuze & Guattari and Stéphane Mallarmé. The painter's in...

Judith Williamson does not simply criticize advertisements on the grounds of dishonesty and exploitation, but examines in detail, through over a hundred illustrations, their undoubted attractiveness and appeal. The overt economic function of this appeal is to make us buy things. Its ideological function is to involve us as 'individuals' in perpetuating the ideas which endorse the economic basis of our society. If economic conditions are the ones that make ideology necessary, it is ideology...

Semiotics is the theory of signs, and reading signs is a part of everyday life: from road signs that point to a destination, to smoke that warns of fire, to the symbols buried within art and literature. Semiotic theory can, however, appear mysterious and impenetrable. This introductory book decodes that mystery using visual examples instead of abstract theory.This new edition features an expanded introduction that carefully and clearly presents the world of semiotics before leading...

Archaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory and archaeological thinking. Drawing together carefully commissioned contributions by leading international scholars and artists, this radical new work poses a number of essential questions:What are the principle signifiers of theatrical presence?How is presence achieved through th...

Whether exploring the intimate recollections which make up the artist's own life history or questioning the way the gallery and museum present public memory, contemporary art, it would seem, is haunted by the past. "Contemporary Art and Memory" is the first accessible survey book to explore the subject of memory as it appears in its many guises in contemporary art. Looking at both personal and public memory, Gibbons explores art as autobiography, the memory as trace, the role of the archiv...

What is the point of graphic design? Is it advertising or is it art? What purpose does it serve in our society and culture? Malcolm Barnard explores how meaning and identity are at the core of every graphic design project and argues that the role and function of graphic design is, and always has been, communication. Drawing on a range of theoretical approaches including those of Derrida, Saussure, Foucault, and Barthes, and taking examples from advertising, magazines, illustration, website...

An increased public and academic interest in drawing and sketching, both traditional and digital, has allowed drawing research to emerge recently as a discipline in its own right. In light of this development, Writing on Drawing presents a collection of essays by leading artists and drawing researchers that reveal a provocative agenda for the field, analysing the latest work on creativity, education and thinking from a variety of perspectives. Writing on Drawing is a forw...

This third edition of the landmark textbook Reading Images builds on its reputation as the first systematic and comprehensive account of the grammar of visual design. Drawing on an enormous range of examples from children's drawings to textbook illustrations, photo-journalism to fine art, as well as three-dimensional forms such as sculpture and toys, the authors examine the ways in which images communicate meaning.Features of this fully updated third edition include: