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Storytelling in Sixteenth-Century France
Negotiating Shifting Forms
2022
EN
Storytelling in Sixteenth-Century France is an innovative, interdisciplinary examination of parallels between the early modern era and the world in which we live today. Readers are invited to look to the past to see how then, as now, people turned to storytelling to integrate and adapt to rapid social change, to reinforce or restructure community, to sell new ideas, and to refashion the past. This collection explores different modalities of storytelling in sixteenth-century France...
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French Literature
A Beginner's Guide
- Series -
- Beginner's Guides
2012
EN
Boasting one of Western culture's oldest and richest literary traditions, French literature has long been a pioneer of style and innovation. From the farcical comedies of Moliere to the torment of Baudelaire's verse, it has inspired writers and artists everywhere throughout the ages. This comprehensive Beginner's Guide tells French literature's compelling story from the beginning right up to today. Highlighting its distinct qualities, Carol Clark explores how the literary styles of differe...
Opera in the Age of Rousseau
Music, Confrontation, Realism
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- Cambridge Studies in Opera
2012
EN
Historians of French politics, art, philosophy and literature have long known the tensions and fascinations of Louis XV's reign, the 1750s in particular. David Charlton's study comprehensively re-examines this period, from Rameau to Gluck and elucidates the long-term issues surrounding opera. Taking Rousseau's Le Devin du Village as one narrative centrepiece, Charlton investigates this opera's origins and influences in the 1740s and goes on to use past and present research to create a new ...
Knowing Poetry
Verse in Medieval France from the "Rose" to the "Rhétoriqueurs"
2011
EN
In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occita...
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- Cambridge Companions to Literature
2008
EN
Medieval French literature encompasses 450 years of literary output in Old and Middle French, mostly produced in Northern France and England. These texts, including courtly lyrics, prose and verse romances, dits amoureux and plays, proved hugely influential for other European literary traditions in the medieval period and beyond. This Companion offers a wide-ranging and stimulating guide to literature composed in medieval French from its beginnings in the ninth century until the Renaissanc...
Marguerite De Navarre
A Literary Queen
2016
EN
This is a shortened reworking of the 2006 biography Marguerite de Navarre, made more accessible here without the scholarly trappings.
Rococo Fiction in France, 1600–1715
Seditious Frivolity
2012
EN
Rococo Fiction in France reconfigures the history of the “long eighteenth century” by revealing the rococo as a literary phenomenon that characterized a range of experimental texts from the end of the French Renaissance to the eve of the French Revolution. Tracing the literary rococo’s evolution from the late 1500s to the early 1700s, and exploring its radicalization during the 1670s, '80s, and '90s, Allison Stedman unearths the seventeenth century rococo’s counter-vision for the trajector...
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- Oxford Handbooks
2016
EN
In 1580, Michel de Montaigne (1533-1592) published a book unique by its title and its content: Essays"R. A literary genre was born. At first sight, the Essays resemble a patchwork of personal reflections, but they engage with questions that animate the human mind, and tend toward a single goal: to live better in the present and to prepare for death. For this reason, Montaigne's thought and writings have been a subject of enduring interest across disciplines. This Handbook...
Controlling Readers
Guillaume de Machaut and His Late Medieval Audience
2012
EN
Guillaume de Machaut (1300-1377) was the master poet of fourteenth-century France. He established models for much of the vernacular poetry written by subsequent generations, and he was instrumental in institutionalizing the lay reader. In particular, his longest and most important work, the Voir dit, calls attention to the coexistence of public and private reading practices through its intensely hybrid form: sixty-three poems and ten songs invite an oral performance, while forty-s...
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- Cambridge Companions to Literature
2015
EN
In this authoritative and accessible account of French literature, sixteen essays by leading specialists offer provocative insights into French literary culture, its genres, movements, themes, and historic turning points, including the cultural and linguistic challenges of today's multi-ethnic France. The French have, over the centuries, invented and reinvented writing, from the Arthurian romances of Chrétien de Troyes to Montaigne's Essays, which gave the world a new literary form and a n...
- Translated by
- Sara L. Preisig
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- Rethinking Theory
2011
EN
Is it legitimate to conceive of and write a history of medieval French literature when the term “literature” as we know it today did not appear until the very end of the Middle Ages? In this novel introduction to French literature of the period, Jacqueline Cerquiglini-Toulet says yes, arguing that a profound literary consciousness did exist at the time.Cerquiglini-Toulet challenges the standard ways of reading and evaluating literature, considering medieval literature not as separa...
The Style of the State in French Theater, 1630–1660
Neoclassicism and Government
2016
EN
Engaging with recent thinking about performance, political theory and canon formation, this study addresses the significance of the formal changes in seventeenth-century French theater. Each chapter takes up a particularity of seventeenth-century theatrical style and staging”for example, the clearing of violence from the stage”and shows how the conceptualization of these French stylistic shifts appropriates a rich body of Italian political writing on questions of action, temporality, and l...











