Witch Fulfillment: Adaptation Dramaturgy and Casting the Witch for Stage and Screen addresses the Witch as a theatrical type on twenty-first-century-North American stages and screens, seen through the lenses of casting, design, and adaptation, with attention paid to why these patterns persist, and what wishes they fulfil.Witch Fulfillment examines the Witch in performance, considering how actors embody iconic roles designated as witches (casting), and how dramatur...

Dramaturg Jane Barnette has put together an essential guide for theatre scholars and practitioners seeking to understand and participate in the process of adaptation for the stage. Employing the term “adapturgy”—her neologism for the art of adaptation dramaturgy—Barnette redefines the dramaturg’s role and thoroughly refutes the commonplace point of view that adapted works are somehow less creative than “original” plays.The dual nature of dramaturgy and adaptation as both process an...

Outdoor drama takes many forms: ancient Greek theatre, open-air performances of Shakespeare at summer festivals, and re-enactments of landmark historical events. The essays gathered in "Outdoor Performance," Volume 17 of the annual journal Theatre Symposium, address outdoor theatre's many manifestations, including the historical and non-traditional.Among other subjects, these essays explore the rise of "airdomes" as performance spaces in the American Midwest in the first h...

That theatre is a business remains a truth often ignored by theatre insiders and consumers of the performing arts alike. The essays in Theatre Symposium, Volume 22 explore theatre as a commercial enterprise both historically and as a continuing part of the creation, production, and presentation of contemporary live performance.The eleven contributors to this fascinating collection illuminate many aspects of commercial theatre and how best to examine it. George Pate analyze...

Breaking new ground in the study of performance theory, this maverick and powerful project from renowned Renaissance scholar and queer theorist Simon Shepherd presents a unique take on theory and the physical reality of theatre.Examining a range of material, Theatre, Body, Pleasure addresses a significant gap in the literary and drama studies arenas and explores the interplay of bodily value, the art of bodies and the physical responses to that art. It explains first how t...

The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with—space and time—into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work.The Viewpoints are a set o...

A New York Times Notable Book of the Year that Sir Ian McKellen called a shocking tale of heroes and villains-illuminating and upsetting in equal measure.”The first production of Oscar Wilde’s Salomé in 1918, with American exotic dancer Maud Allan dancing lead, ignited a firestorm in London spearheaded by Noel Pemberton Billing, a member of Parliament and self-appointed guardian of family values. Billing attacked Allan in the right-wing newspaper...

Few have had quite as much impact in both the academy and in the world of theatre production as Richard Schechner. For more than four decades his work has challenged conventional definitions of theatre, ritual and performance. When this seminal collection first appeared, Schechner's approach was not only novel, it was revolutionary: drama is not just something that occurs on stage, but something that happens in everyday life, full of meaning, and on many different levels. Within these page...

This volume contains Harold Pinter's first six plays, including The Birthday Party.The Birthday PartyStanley Webber is visited in his boarding house by two strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare.'Mr Pinter's terrifying blend of pathos and hatred fuses unforgettably into the stuff of art.' Sunday TimesThe Room and The Dumb WaiterIn these two early...

Rodgers and Hammerstein's Tony and Pulitzer Prize-winning musical "South Pacific" has remained a mainstay of the American musical theater since it opened in 1949, and its powerful message about racial intolerance continues to resonate with twenty-first century audiences. Drawing on extensive research in the Rodgers and the Hammerstein papers, including Hammerstein's personal notes on James A. Michener's Tales of the South Pacific, Jim Lovensheimer offers a fascinating reading of "...

-Peter Brook is considered one of the giants in world theatre.

Everything you need to know about musical theater in one handy guide by leading expert Maureen Hughes who has herself created 8 musicals and teaches musical theater. The Pocket Guide to Musicals covers everything from the composers and lyricists to a comprehensive A-Z listing of musicals from around the world. Accessibility is a key selling point with fact boxes highlighting key or curious facts about the subject.The Pocket Guide to Musicals is compulsory reading for anyone studyin...