Picturing Christ tells the story of how Latter-day Saints and other Christians have imagined Jesus and portrayed him in art throughout history, as well as what the archaeological evidence suggests about what he might have looked like. Though what Jesus did is more important than how he looked, how we see him shapes us. Our assumptions about what Jesus would have looked like can have a significant impact on our relationships with Deity, ourselves, and one another.C...

This study examines third- and fourth-century portraits of married Christians and associated images, reading them as visual rhetoric in early Christian conversations about marriage and celibacy, and recovering lay perspectives underrepresented or missing in literary sources.Historians of early Christianity have grown increasingly aware that written sources display an enthusiasm for asceticism and sexual renunciation that was far from representative of the lives of most early Christ...

Death and rebirth was of vital importance to early Christians in late antiquity. In late antiquity, death was all encompassing. Mortality rates were high, plague and disease in urban areas struck at will, and one lived on the knife’s edge regarding one’s health. Religion filled a crucial role in this environment, offering an option for those who sought cure and comfort. Following death, the inhumed were memorialized, providing solace to family members through sculpture, painting, and epigr...

How can material artifacts help illuminate the religious lives of women in antiquity? In what ways do archaeological and art historical studies recover women’s religious perspectives and experiences that the literary record misses or underrepresents? The authors of the essays in this volume set out to answer such questions in fascinating, new case studies of women and ancient religions in the Near East and Mediterranean world. They cover a broad historical, geographic, and religious spectr...

The Routledge Handbook of Early Christian Art surveys a broad spectrum of Christian art produced from the late second to the sixth centuries. The first part of the book opens with a general survey of the subject and then presents fifteen essays that discuss specific media of visual art—catacomb paintings, sculpture, mosaics, gold glass, gems, reliquaries, ceramics, icons, ivories, textiles, silver, and illuminated manuscripts. Each is written by a noted expert in the field. The se...