The Spatial Turn in the Literature and Art of Early Modern Spain investigates novel and transformative ways in which writers and artists of sixteenth- and seventeenth-century Spain conceived of space through the lens of what recent studies have called the spatial turn.With an emphasis on the production of space, as proposed by Henri Lefebvre, Michel de Certeau, and Yi-Fu Tuan, the essays in this volume explore space as a cultural construct, produced within a dynamic sphere ...

A Poetry of Things examines the works of four poets whose use of visual and material culture contributed to the remarkable artistic and literary production during the reign of Philip III (1598–1621). Francisco de Quevedo, Luis de Góngora, Juan de Arguijo, and Luisa de Carvajal y Mendoza cast cultural objects – ranging from books and tombstones to urban ruins, sculptures, and portraits – as participants in lively interactions with their readers and viewers across time and space.

Garcilaso de la Vega and the Material Culture of Renaissance Europe examines the role of cultural objects in the lyric poetry of Garcilaso de la Vega, the premier poet of sixteenth-century Spain. As a pioneer of the “new poetry” of Renaissance Europe, aligned with the court, empire, and modernity, Garcilaso was fully attuned to the collection and circulation of luxury artefacts and other worldly goods. In his poems, a variety of objects, including tapestries, paintings, statues, u...

From Ancient Rome to Colonial Mexico compares the Christianization of the Roman Empire with the evangelization of Mesoamerica, offering novel perspectives on the historical processes involved in the spread of Christianity. Combining concepts of empire and globalization with the notion of religion from a postcolonial perspective, the book proposes the method of analytical comparison as a point of departure to conceptualize historical affinities and differences between the ancient R...

"David Castillo takes us on a tour of some horrific materials that have rarely been considered together. He sheds a fantastical new light on the baroque."---Anthony J. Cascardi, University of California Berkeley"Baroque Horrors is a textual archeologist's dream, scavenged from obscure chronicles, manuals, minor histories, and lesser-known works of major artists. Castillo finds tales of mutilation, mutation, monstrosity, murder, and mayhem, and delivers them to us wi...

Fray Bernardino de Sahagún (1499-1590) directed the composition of an encyclopaedic work on the world of the Nahuas, Universal History of the Things of New Spain (ca. 1577-1579), for which he has received the title of pioneering ethnographer and anthropologist of colonial Mexico. Contextualizing Sahagún and his work in sixteenth-century Spain and America, this study presents him as a cultural translator who reconceptualized the Nahua world according to his own Euro-Christian categorization...

In the Western imagination, Spain often evokes the colorful culture of al-Andalus, the Iberian region once ruled by Muslims. Tourist brochures inviting visitors to sunny and romantic Andalusia, home of the ingenious gardens and intricate arabesques of Granada's Alhambra Palace, are not the first texts to trade on Spain's relationship to its Moorish past. Despite the fall of Granada to the Catholic Monarchs in 1492 and the subsequent repression of Islam in Spain, Moorish civilization contin...

The novel Don Quixote, written in the late sixteenth and early seventeenth century by Miguel de Cervantes Saavedra, is widely considered to be one of the greatest fictional works in the entire canon of Western literature. At once farcical and deeply philosophical, Cervantes’ novel and its characters have become integrated into the cultures of the Western Hemisphere, influencing language and modern thought while inspiring art and artists such as Richard Strauss and Pablo Picasso. Based on Prof...

Between the fourteenth and seventeenth centuries in Spain, a large number of parodic works were produced that featured depictions of humourous, satirical, and comical saints. The Laughter of the Saints examines this rich carnivalesque tradition of parodied holy men and women and traces their influence to the anti-heroes and picaresque roots of early modern novels such as Don Quixote.The first full-length treatment of the ways in which Spanish writers imitated religious dep...

In order to describe the miracles of the Virgin Mary, Alfonso X el Sabios Cantigas de Santa Maria show life at its worst, and this often includes violence, which may disconcert a modern audience even more than its original medieval one. This essay examines the lyrics and the miniatures of these songs in order to show how they illustrate the balance of power in thirteenth-century Spain. The role of Mary herself illustrates the role of gender and the divine in giving social meaning to acts o...

Renowned for its depth of feeling and musicality, the poetry of Rubén Darío (1867–1916) has been revered by writers including Federico García Lorca, Pablo Neruda, and Octavio Paz. A leading figure in the movement known as modernismo, Darío created the modern Spanish lyric and permanently altered the course of Spanish poetry*.* Yet while his output has inspired a great deal of critical analysis and a scattering of translations, there has been, until now, no complete English transla...

Taking up the invitation extended by tentative attempts over the past three decades to construct a functioning definition of the genre, Jonathan Bradbury traces the development of the vernacular miscellany in sixteenth- and seventeenth-century Spain and Spanish-America. In the first full-length study of this commercially successful and intellectually significant genre, Bradbury underlines the service performed by the miscellanists as disseminators of knowledge and information to a popular ...