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Adult content is visible.Notes from the Underground: Fall 2018 - I Am Entirely Up to Me
Notes from the Underground: Maclay Upper School's Journal of Creative Writing, #5
- by
- Rachel AbbottMariam AlviEmma Grace BassHelen BradshawDylan BurhansEllie CasteelAnanda ChatterjeeJainey CoatesMadison CordleSimon CorpuzMercy CrappsHolden CrumplerAnna Kate DauntDrew DauntJustine de Saint MarsChandler DownieEmily DudleyLauren FantleLauren FleischerBraden FosterLinsdey GreySarah HalbertHailey HobbsAbigail HugillJackson HugillIsabel HutchinsonNahal Suzanne JamirMadeline LillieCaroline Rose LunnyClara Cather LunnyHaley MainwaringKenzie MazziottaMary Allison McCueEli MearsJohn MesserKendall MinterAshlynn MoayadVictor OguledoLexi O'RourkeCody PaddackEljin RhymesMadeline RobertsAvery ShaverLilly SimonsHolly SimsLucy SmithBella SniderAbbey StejskalRachael StockelMadelyn StoutLogan SundbergSpencer SundbergEthan TetraultKenny TranJudy WangGrace Wells
2019
EN
We take the title of this journal from a novella of the same name by Fyodor Dostoyevsky. The novella is an existential piece, written before Dostoyevsky's greatest works and before Existentialism had really taken root in literature. The unnamed narrator is frequently named an anti-hero and is described by the note on the back of the Dover edition as a "profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values a...
Real Drugs in a Virtual World
Drug Discourse and Community Online
2007
EN
Drug Abuse (NIDA) funded research project on drug information and online drug-related communities. The editors of this pivotal text, Edward Murguia, Ann Lessem, and Melissa Tackett-Gibson, elevate the debate about drug use and the Internet from a polemic discourse to social scientific investigation. The essays confront issues related to the study of drug communication online, including the causal factors of abuse as discussed in online forums, the relationship between music and drug use in...
Notes from the Underground: Spring 2018
Notes from the Underground, #4
- by
- Laura AdamsKhadeja AhmedEmma BellMercy BickellVivian BolenHelen BradshawAlayna CicchettiJainey CoatesSimon CorpuzHolden CrumplerJerry CuiWill DaughtonAnna Kate DauntKatherine DowdyChandler DownieEzi EmenikeLauren FleischerLinlee FranklinTommy GraySarah HalbertJack HildebrandtLogan HomisonJackson HugillCamille LaRoccaAllison LaudadioAnna LewisBeecher LewisCaroline Rose LunnyKayla MartinNikki MauldinAtticus MazeracMary Allison McCueKenzie MullinsDimitri NakisHarrison ObrechtEmily RodenLexi O'RourkeCody PaddackDaniella ParedesSonu PatelMadison PerkinsEric PhippsAndrew RentzMadeleine RobertsSkila RogersMary RustJennifer RynMark ScottMarie ShapleyAvery ShaverRaegan ShermanLilly SimonsHolly SimsJacob SmithLucy SmithBella SniderSpencer SundbergEthan TetreaultIsabel ThompsonSeth Van SyckleJane VickersJudy WangAbby WatsonLee Alisha Williams
- Book 4 -
- Notes from the Underground
2019
EN
Maclay School's Journal of Creative WritingOn our title: We take the title of this journal from a novella of the same name by Fyodor Dostoyevsky. The novella is an existential piece, written before Dostoyevsky's greatest works and before Existentialism had really taken root in literature. The unnamed narrator is frequently named an anti-hero and is described by the note on the back of the Dover edition as a "profoundly alienated individual in whose brooding self-an...
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