Suicide is everywhere. It haunts history and current events. It haunts our own networks of friends and family. The spectre of suicide looms large, but the topic is taboo because any meaningful discussion must at the very least consider that the answer to the question – 'is life worth living?' – might not be an emphatic yes; it might even be a stern no. Through a sweeping historical overview of suicide, a moving literary survey of famous suicide notes, and a psychological analysis of himsel...

An intelligent but approachable guide to the main concepts of Heidegger’s magnum opus, Being and Time, by one of the leading philosophers of our day.Heidegger Thinking is a comprehensive examination of what is arguably the most significant philosophical work of the last century. Published to mark the centenary of Being and Time, the masterpiece that is central to Heidegger's work, this book aims to explain the entirety of the philosopher'...

Simon Critchley first encountered David Bowie in the early seventies, when the singer appeared on Britain’s most-watched music show, Top of the Pops. His performance of Starman” mesmerized Critchley: it was so sexual, so knowing, so strange.” Two days later Critchley’s mum bought a copy of the single; she liked both the song and the performer’s bright orange hair (she had previously been a hairdresser). The seed of a lifelong love affair was thus planted in the mind of her son, aged 12.

Starting from the premise that philosophers' deaths have been as interesting as their lives, Simon Critchley looks at the strange circumstances in which some philosophers have died and then confronts the big themes - in this case, what 'a good death' means and how to live with the knowledge of death. The book consists of short entries on various philosophers, cataloguing the manner of their demises and linking this to their central ideas, from the Pre-Socratics to Rousseau, Kant and Nietzs...

The return to religion has perhaps become the dominant cliché of contemporary theory, which rarely offers anything more than an exaggerated echo of a political reality dominated by religious war. Somehow, the secular age seems to have been replaced by a new era, where political action flows directly from metaphysical conflict. The Faith of the Faithless asks how we might respond. Following Critchley’s Infinitely Demanding, this new book builds on its philosophical and pol...

Humor is een fascinerend, prachtig geschreven en komisch boek over wat homor ons kan vertellen over onze menselijke natuur. Van de oudheid tot aan de moderne tijd en puttend uit het werk van een breed scala aan auteurs, in het bijzonder Swift, Sterne, Shaftesbury, Bergson, Beckett en Freud, keert Humor het komische binnenstebuiten en onthult ons een smakelijk inzicht in wat we grappig vinden. Humor beantwoordt vragen zoals: "Waarom lijden komieken aan depressies", "Waarom lachen we zo vaak...

“There is a common fallacy that is oddly and sadly even more widespread amongst non-philosophers than philosophers, that art is somehow explained by philosophy. It is not.”The philosopher Simon Critchley has long been drawn to the distinctive questions raised by tragedy. In this major new work, conceived as a sequel to his Tragedy, the Greeks and Us (2019), he describes the power of tragic drama as deriving from its depictions of 'stuckness': of the inescapable situation o...

Does humour make us human, or do the cats and dogs laugh along with us? On Humour is a fascinating, beautifully written and funny book on what humour can tell us about being human. Simon Critchley skilfully probes some of the most perennial but least understood aspects of humour, such as our tendency to laugh at animals and our bodies, why we mock death with comedy and why we think it's funny when people act like machines. He also looks at the darker side of humour, as rife in sex...

Simon Critchley's Very Short Introduction shows that Continental philosophy encompasses a distinct set of philosophical traditions and practices, with a compelling range of problems all too often ignored by the analytic tradition. He discusses the ideas and approaches of philosophers such as Kant, Hegel, Nietzsche, Husserl, Heidegger, Sartre, Habermas, Foucault, and Derrida, and introduces key concepts such as existentialism, nihilism, and phenomenology by explaining their place in the Con...

The figure of Hamlet haunts our culture like the ghost haunts Shakespeare’s melancholy Dane. Arguably, no literary work is more familiar to us. Everyone knows at least six words from Hamlet, and most people know many more. Yet the play—Shakespeare’s longest—is more than “passing strange,” and it becomes even more complex when considered closely.Reading Hamlet alongside other writers, philosophers, and psychoanalysts—Carl Schmitt, Walter Benjamin, Freud, Lacan, Nie...

From the moderator of The New York Times philosophy blog "The Stone," a book that argues that if we want to understand ourselves we have to go back to theater, to the stage of our livesTragedy presents a world of conflict and troubling emotion, a world where private and public lives collide and collapse. A world where morality is ambiguous and the powerful humiliate and destroy the powerless. A world where justice always seems to be on both sides of a conf...

The question of how to lead a happy and meaningful life has been at the heart of philosophical debate since time immemorial. Today, however, these questions seem to be addressed not by philosophers but self-help gurus, who frantically champion the individual's quest for self-expression and self-realization; the desire to become authentic.Against these new age sophistries, How to Stop Living and Start Worrying tackles the question of 'how to live' by forcing us to explore o...