As you read this book you will see yourself in each chapter. Many owners were amazed that no one had ever taught them the basics including break-even. This is a simplified guide to basic business principles that are not taught by many business professionals. It has actual examples and true stories of business owners experiences. This book is easy to read and understand but has powerful lessons which have been field tested to work. It is great for businesses making the transition from one g...

"Marries scholarly discipline with intriguing reading . . . The book will satisfy the thirst of historians, musicians and perhaps even an economist or two." — American Music TeacherTo be successful, a musician often has to be an entrepreneur: someone who starts a performing venue, develops patrons, and promotes the project aggressively. Accomplishing this requires musicians to acquire social and business skills and to be highly opportunistic in what they do...

This long-awaited book by a leading historian of European music life offers a fresh reading of concert and operatic life by showing how certain musical works in eighteenth- and nineteenth-century France came to be considered "canonic": that is, admirable and worthy of being taken as models. In a series of interlinked essays, William Weber draws particular attention to the ways in which such reputations could shift in different eras and circumstances.The first chapter outlines how s...

Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too — this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a ...

In 1812, less than forty years after breaking from Britain, the United States found itself in another war with its former colonial master. Now, during the two hundredth anniversary of the War of 1812 comes Neither Victor nor Vanquished, William WeberÆs reappraisal of this critical but frequently misunderstood conflict.

First published in 1975, Music and the Middle Class made a trail-blazing contribution to the social history of music, bringing together sociological and historical methods that have subsequently become accepted as central to the discipline of musicology. Moreover, the major themes of the book are ones which scholars today continue to grapple with: the nature of the middle class(es) and their role in cultural definition; the concept of taste publics distinct from social status; and the esta...

A TIME Magazine Top 10 Nonfiction Book of 2012A New Yorker Best Book of the YearLos Angeles Magazine's #1 Music Book of the YearA unique and revelatory book of music history that examines in great depth what is perhaps the best-known and most-popular symphony ever written and its four-note opening, which has fascinated musicians, historians, and philosophers for the last two hundred years.Music critic Matthew Guerrie...

The life, times, and travels of a remarkable instrument and the people who have made, sold, played, and cherished it.A 16-ounce package of polished wood, strings, and air, the violin is perhaps the most affordable, portable, and adaptable instrument ever created. As congenial to reels, ragas, Delta blues, and indie rock as it is to solo Bach and late Beethoven, it has been played standing or sitting, alone or in groups, in bars, churches, concert halls, lumber camps, even concentra...

Nearly one hundred years after the death of its composer, the music of Claude Debussy has lost none of its breadth of appeal. With the rare ability to entice listeners on many levels, at its heart lies an engaging simplicity-one which defies traditional analysis and lends mystery to what ultimately is an extremely refined and highly personal approach to composition. Equally fascinating is Debussy's often contradictory personality--at times elusive, but always centered on his devotion to mu...

Franz Liszt--child prodigy, virtuoso pianist, co-founder with Chopin and Schumann of the Romantic movement in music--has been the subject of literally hundreds of biographies, but it is only in the last few decades that the importance of Liszt the composer, as opposed to Liszt the Romantic hero, has been recognized. This new perspective has created the need for a fresh, full-scale approach, biographical and critical, to the evaluation of the man and his music.For more than ten year...

For centuries before the 1789 revolution, ballet was a source of great cultural pride for France, but by the twentieth century the art form had deteriorated along with France's international standing. It was not until Serge Diaghilev's Ballets Russes found success in Paris during the first decade of the new century that France embraced the opportunity to restore ballet to its former glory and transform it into a hallmark of the nation.In When Ballet Became French, Ilyana K...

César Franck (1822–1890), Belgian born and French domiciled, was one of the most remarkable composers of the 19th century. A number of his works are commonly recorded—such as his Symphony in D Minor, Symphonic Variations, Violin Sonata, and the ever-popular Panis Angelicus—and yet 38 years have elapsed since a biography of him appeared in English.Now with César Franck: His Life and Times, R. J. Stove fills this gap in the history of late 19th-century classical music with a full-len...